COLOROXYA II SCULPTURE by TOM JABLIN

COLOROXYA II SCULPTURE
by TOM JABLIN

UNIQUE WORK
SIGNED, SERIAL NUMBER AND CERTIFICATE OF AUTHENTICITY
COLOROXYA COLLECTION
YEAR 2026

OPERA FANTASTICO MARBLE

IN H 23.6 Ø 13.7

CM H 60 Ø 35

HAND SCULPTED IN FRANCE

Price 9 500 USD

Estimated Shipping 1-2 WEEKS
Estimated Production AVAILABLE

The Coloroxya collection draws from the depths—corals, shells, sponges, submerged mineral structures—reinterpreted through the lens of sculpture and the inherent drama of the stone itself. Each piece is carved by hand in France from rare marble selected for the tension written into its surface: the fractures, the veining, the stark contrast between light and dark that makes every form feel mid-transformation

Grand Antique marble grounds Coloroxya I in a stark duality—deep charcoal fractured by white, its knotted body coiling around itself like something caught between growth and stillness. Coloroxya II and III emerge in Opera Fantastico marble, warm ochres and sage greens streaked with burgundy, their spiraling and interlocking forms evoking fossilized movement, organic architecture rising from an imagined seafloor

Jablin does not impose upon the stone—he listens to it. The ruptures and geological layers become part of the composition, as inseparable from the work as the sculptor’s hand. What results is a collection that oscillates between mineral permanence and living form, between structure and fluidity, between what the earth has held for millennia and what the artist has chosen to set free

Each sculpture is hand carved at Jablin’s studio in France, a unique work existing at the intersection of natural force and human intention—a fragment of an imaginary seabed brought into permanent form

Tom Jablin


Born Angers, France, 1993


French sculptor Tom Jablin creates works that bridge the organic and the elemental, drawing upon the wild beauty of underwater and forest worlds to produce pieces that function as both artifacts and meditations on nature’s enduring legacy. Jablin conceives of sculpture as an act of dialogue—between body and material, between the human and the natural—resulting in works of rare emotional and physical presence


Carving marble and stone with exacting attention to the histories embedded within them, Jablin coaxes from each material its inherent character: muscles and tendons find their counterpart in veins and grains, bones and cartilage in knots and crystals. This union of the anatomical and the geological renders his sculptures at once primal and precise expressions of strength and fragility held in perfect equilibrium


Jablin’s practice is rooted in a deep commitment to environmental heritage, and his research into the provenance and legacy of his materials shapes every work he undertakes. Through his sculpture, he invites the viewer to inhabit a fragment of the natural world, untamed, luminous, and alive


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